Janie's Book of Nature is such a wonderful book of textures and colour! I found a sheet of beautiful rice paper from Stamperia featuring two hands inspired by Michelangelo's Creation of Adam that seemed perfect for this theme.
I trimmed it to size and glued it down with a
gel matte medium using my trusty flat wide paintbrush.
Once the gel medium was dry, I mixed a small puddle of watered down
white gesso to use as a wash over the background areas of the rice paper to calm down the contrast of the printed words.
For this page, I thought I'd have a play with
Tim Holtz's White Collage Tissue Paper using Ranger's black
Archival Ink and a few favourite stamps. The idea was that the paper would disappear into the background and leave the printed image behind.
The birds, quote and grunge spatters are all from the
Tim Holtz Stamp Set "Urban Tapestry". I love the typographic style of this quote. It says :
"The creative is the place where noone else has ever been. You have to leave the city of your comfort and venture into the wilderness of your intuition. You can't get there any other way, only by taking risks and by not quite knowing what you're doing. What you'll discover will be wonderful. What you'll discover will be yourself."
After stamping onto the tissue, heat setting the ink and trimming to size, I then coloured some areas on the back with white pencil. The white would help the reversed and outlined words show clearer on the background.
Gesso would do the same thing but pencil doesn't crinkle up the paper or need drying time.
I used matte gel medium to glue down everything, both under the tissue and over it to seal all the edges.
The birds were also stamped onto tissue paper and heat set before being trimmed and glued down with the gel matte medium.
All the branches were stamped straight onto the page with black Archival ink after the birds were dry.
Above is a closeup of how the tissue paper blends into the background. Sometimes. If you're not looking for it, you can't see it...! lol :) Still a fab technique for collage when you don't feel like cutting around every single feather, beak and foot.
Colour was applied to the birds using
watercolour pencil (red and brown) and a
waterbrush.
Being a translucent tissue, I was able to flip one of the birds to face the other way (perched on the hand facing left) without losing too much detail. Then coloured over him with black pencil to give his feathers more definition and darken the image.
The birds needed something to hang around with, so I stamped more branches in the black Archival Ink, then some spatters of grunginess in black and stonewalling in brown (Tim's background stamp "
Slate and Stone").
The brown Archival Ink was only applied to small sections of the stone background stamp and pressed onto the page without an acrylic block, to give it a more rustic appearance.
Black Archival Ink was used for all the beetles and ants from Tim's stamp set "
Entomology". They're crawling all over the place!
I coloured the beetles and some of the ants with brown watercolour pencil then once dry, I drew on the white highlights and gave them a covering of Ranger's crackle medium.
The bees were stamped onto tissue paper using the black Archival ink, dried with the heat tool and then had their bodies coloured with yellow pencil on the back of the paper. After being glued onto the page with gel matte medium, I painted their wings with an iridescent medium to make them shimmer.
Their black stripes were enhanced using black pen and highlights drawn on with white gel pen.
Above is a closeup of an ant after the crackle medium had dried. The quote was made into a wallhanging with nails drawn on with black pen and brown pencil.
Lastly, I blended in a tiny smattering of blue ink around some of the edges of both pages.
Thanks for reading my blog post! Hope it made you smile!
:D
Jenny
